T H E N O R T H A M P T O N S H I R E G U I L D O F
D E S I G N E R C R A F T S M E N
2 6 O C T O B E R – 2 4 N O V E M B E R
‘I am a professional Chartered Engineer, but have always had a passion for working with wood. I was introduced to woodturning in the mid 1990s by my father who was recovering from illness and had decided to try his hand at the craft as a form of therapy. Through the early, somewhat experimental, days helping my father I realised that woodturning offered a unique way to express myself outside of the relatively straight lines generally associated with conventional cabinetwork. I regularly enter pieces into the national woodturning shows and have been commended on my work with some pieces winning prizes.’
‘Inspiration for my work comes from the natural world and the materials around me. Observing both, for as long as I remember, inspired hours of creative mind games and excitement in me. Many of my works start from a found object which I build a form around, often using materials from the same location. This element of chance forces me to explore the possibilities of these, often unconventional, materials. My abilities to make use of such materials rooted in the discipline of traditional basketry technique.
My recent work has focused on willow, deconstructing and experimenting allowing me, over time, to develop a more intimate knowledge of it. This knowledge then helps me to reconstruct using the various craft and basketry skills available to me.’
‘After graduating from the Byam Shaw school of art in London in 1973 I did a series of different jobs but always kept painting. I lived in an Acme house in Hackney. I have been a full time artist since 1992 and have shown in London, Cambridge and Viersen in Germany.
The work consists mainly of oil paintings and drawings and etchings. My main source of inspiration until recently has been landscape, but now I am working on a series inspired by figures in motion.
In my work I want to maintain an abstract independence between form and content. My aim being to work on the borderline between abstraction and figuration rather than copying nature.’
matt underwood | carry akroyd | nick grove | gunta krumins | maggie smith | fiona clucas edward douglas | carol parfitt | john parfitt | jenny dunbar | crispin heesom | gordon monk anthony mashman | margaret gardiner | rob bibby | jon paine | simon dolby | gillian dolby | polly dolby ruth lyne | ruth rignall | john masterton | helen west | valentina brunn | rosemarie cooke | john mcgowan |
Geri Waddington trained in painting at the Slade School of Fine Art. She started engraving in 1995, and was elected a member of the Society of Wood Engravers in 2001, and its Chairman in 2014. She has exhibited regularly with the Society of Wood Engravers, the National Print Exhibition (later named ‘Originals’), (prizewinner 1999 and 2005), The International Miniature Print Exhibition, and at the Royal Academy and numerous independent galleries. She makes and sells independent prints and also illustrates hand-made private press books, where her engravings are printed directly from the wood, and has work in collections in the UK and abroad.
Wood engraving is one the simplest and yet most intense forms of printmaking; an image is produced by engraving into the polished endgrain surface of a block of wood (traditionally boxwood), with a variety of tools, which can produce a wide vocabulary of marks. The block is then inked with a roller and printed onto paper, where the cut marks appear as white.
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Geri Waddington trained in painting at the Slade School of Fine Art. She started engraving in 1995, and was elected a member of the Society of Wood Engravers in 2001, and its Chairman in 2014. She has exhibited regularly with the Society of Wood Engravers, the National Print Exhibition (later named ‘Originals’), (prizewinner 1999 and 2005), The International Miniature Print Exhibition, and at the Royal Academy and numerous independent galleries. She makes and sells independent prints and also illustrates hand-made private press books, where her engravings are printed directly from the wood, and has work in collections in the UK and abroad.
Wood engraving is one the simplest and yet most intense forms of printmaking; an image is produced by engraving into the polished endgrain surface of a block of wood (traditionally boxwood), with a variety of tools, which can produce a wide vocabulary of marks. The block is then inked with a roller and printed onto paper, where the cut marks appear as white. .
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paintings of local scenes | original prints | ceramics | textiles woodwork fused glass | jewellery | handmade aprons | artists cards matt underwood | carry akroyd | nick grove | karen wyeth | gunta krumins | daisy rubenstenin edward douglas | carol parfitt | john parfitt | jenny dunbar | margaret gardiner rob bibby | jon paine | robert cox | simon dolby | gillian dolby | polly dolby helen clarke | ruth rignall | john masterton | helen west | valentina brunn | jane sanders
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We are excited to welcome Robert Hunter to The Dolby Gallery for his inaugural exhibition. Robert will be showing a selection of local town and landscapes of Northamptonshire and beyond in pastels, graphite and paint as well as powerful figurative pieces with determined brushstrokes and a powerful sense of light. The exhibition will reflect a journey from earlier works through to contemporary, representing Robert’s diverse skill as an artist.
Lilford Bridge conte & charcoal on paper 50 x 70 cm
Easton-on-the-Hill pastel on paper 53 x 67cm
Towards Stamford School pastel on paper 54 x 78cm
Come and browse a diverse selection of prints and originals by Simon, Gillian and Polly Dolby. Unframed works in the browser by Carry Akroyd, Geri Waddington and Mikki Longley. We will also be showing our regular collection of ceramics, jewellery and artists cards.
Come and browse a selection of rare and enigmatic original exhibition posters from some of the most famous exhibitions of the 21st Century. Highly collectable and beautifully designed expect to see Picasso, Matisse, Miro, Chagall, Leger, Dali, Dufy among many other modern masters!
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“I have always been interested in field patterns, and how geology dictates the agriculture of a district. A lot of my work is based on walking, or even driving, through the landscape, trying to understand it, rather than from a static viewpoint. I draw outside, but then work in the studio, where my dominating interest is in form and colour.
A parallel, but linked, seam of work loses the representational landscape elements to give way to untidy patchworks of colour. I play for hours with each of these, sometimes over years, until satisfied by a balanced composition.
At the same time as following my own inclinations, I have accidentally become an illustrator. Time spent drawing outside led to noticing birds and their habitats, till they became an important ingredient in my work. Due to this, I was commissioned to illustrate the book of the Radio4 series ‘Tweet of the Day’, then to do a regular illustration for the ‘Bird of the Month ‘column in The Oldie magazine. I am also jacket illustrator for the two series: ‘British Wildlife Collection ‘ and ‘Encounters in the Wild‘.
The span of work between illustrating to order and the unlimited playing with colour suits my restless nature, as does working in a variety of media. When one vein becomes exhausted, another is ready and waiting.
C A Luddington 2017
Lane Through Green Fields
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Walton Hill SOLD
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Park
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Woodland
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Deer in the Park
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Kintra
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Hillside Badgers SOLD
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White Tree SOLD
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Blue Tree
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Green Square
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Orange Line SOLD
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Summer Fields SOLD
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Autumn Fox SOLD
Edward is a local designer/maker working from his busy workshop in the heart of Oundle’s market place. He designs and makes a range of bespoke furniture including cabinetry, kitchens, garden gates and doors. He has a clean, stripped back aesthetic and enjoys using sustainably sourced, beautiful timber allowing teh materials to take centre stage.
See more of his work here: edwarddouglas.co.uk
‘Green wood is much easier to work than seasoned wood, especially when working with hard woods. Chair components are traditionally made from green wood, the components are dried before the chair is assembled.’
The Dolby Gallery have always loved Gordon’s chairs and have sold many over the years. Their natural, flowing forms and comfort make them very popular. They create a wonderful, wholesome presence in a room. Pop in to see which designs we have in stock or to commission a piece.
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“Vibrant colour and dramatic yet sensuous line capture joyfully expressive moments of solitary acrobatics, of tender coupling, of Zen-like dance and dynamic interaction”.
John Parfitt lives in East Northamptonshire, He is a painter and printmaker, trained in fine art/paintmaking at Gwent College of art and education at London University. He has combined a career in teaching alongside developing his artwork.
We look forward to welcoming back a knock out selection of local and regional ceramicists for our Contemporary Ceramics exhibition at The Dolby Gallery. Expect a diverse and interesting curation of domestic, functional and abstract works in clay and porcelain from ceramicists across East Anglia. Makers include:
John Masterton | Rob Bibby | Jenny Dunbar | Harvey Bradley | Rosemarie Cooke | Susan Cupitt | Peter Deans | Moira Goodall | Helen Humphreys | Frank Logan | Anja Penger-Onyett | Marion Stuart | Pam Schomberg | Margaret Gardiner | Peter Warren
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JOHN MASTERTON
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FRANK LOGAN
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ANJA PENGER-ONYETT
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HARVEY BRADLEY
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PAM SCHOMBERG
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JENNY DUNBAR
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PETER DEANS
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SUSAN CUPITT
Simon has been working on some beautiful, atmospheric new oil paintings quite different in style to his watercolour work. Dramatic land and sea scapes from his travels across Great Britain and France capture the ever changing light and colour of the seasons. They will be exhibited alongside a collection of much loved local scenes of Northamptonshire.
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Towards Ashton Wold, Northamptonshire 9in x 12ins
SOLD
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Towards Oundle From Ashton, Northamptonshire 9in x 12ins
SOLD
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